DEAD MAN’S SUIT
Uncut: “Could be from Dylan’s ‘New Morning.’Like Cat Stevens, Nick Drake. Exemplary”
Esquire: “A young Rod Stewart..”
Q “A breathtaking debut”
OK Magazine “A Little Gem”
Jools Holland “When I heard this mans fantastic voice on the radio I had to zap it with my mobile to find out who it was”
Jon has been tipped by BBC Sound of 2009 and was a featured artist on influential website Record of The Day. An outstanding songwriter as ‘In Your Light’ clearly attests, Jon has had a Word covermount 1/6, Music week covermount w/c 18/5, Sunday Times Culture Magazine 8/6, Rock and Reel feature and Maverick Feature to name a few..
October 26th marks the European release of ‘Dead Man’s Suit’ the debut long-player from South Devon’s finest, Jon Allen. Sitting comfortably with contemporaries such as Ryan Adams, Jose Gonzales and Damien Rice, whilst being unmistakeably evocative of the folk-rock scene of the late 60s/ early 70s.
A confident performer – opening for the likes of Mark Knopfler, Emmylou Harris, KT Tunstall, Jose Gonzalez and Damien Rice has not fazed him – wowing audiences in the process in venues from the miniscule 12 Bar all the way up to Wembley Arena.
The critically acclaimed first single ‘Going Home’, championed by Radio 1’s Jo Whiley, featured on the worldwide Land Rover TV commercial in 2008 achieving a respectable 20,000 downloads from Jons website off the back of the advert. The proceeds gave Jon the freedom to self-fund the recording of his album and media campaign. The Land Rover ad is being re run in April 2009 featuring ‘Going Home’ which got a full European release in May 2009.
‘Dead Mans Suit’ shows an eclectic range of influences, from early Rod Stewart and the Faces to the legendary and lamented John Martyn in his ‘Solid Air’ era. Jon echoes Martyns spirit and reflectiveness and at the same time shows that he knows how to pen a good hook.
The album kicks off with ‘Dead Man’s Suit’, which despite the name is an uplifting melodic tune in which Rod Argent (Zombies)-style organ plays a significant role throughout the song. This contrasts with the soulful ballad ‘In Your Light’, which has achieved significant praise at BBC Radio 2, riding high on the A list, having already been championed by the likes of Ken Bruce, Johnnie Walker, Dermot Oleary and Bob Harris, with a session booked with Bob for May.
Other songs like ‘Take Me To The Heart’ subtly echo a James Taylor-esque, West Coast 70s singer-songwriter acoustic atmosphere, complementing the more groove- based bluesy rock numbers such as ‘Young Man Blues’ and ‘Happy Now’.
‘Dead Mans Suit’ is a testament to the art of quality songwriting – Jon studied at the Liverpool Institute of Performing Arts founded by Paul McCartney, who has praised Jon on his penmanship and offered up help in the form of writing sessions with the great man. That experience helped Jon find fans in the likes of songwriting heavyweights such as Guy Chambers amongst others.
Jon Allen has already achieved a lot in his short career and has been praised by some of the music industry’s great and good. Just like his growing audience, they’ve all seen the prospect of Jon as a long-term, career- sustaining artist, whose authentic songs will not go out of fashion.